齐白石－花鸟山水版画

齐白石（1864～1957），湘潭人，二十世纪中国画艺术大师，二十世纪十大书法家，画家之一，世界文化名人。宗族派名纯芝，小名阿芝，名璜，字渭清，号兰亭、濒生，别号白石山人，遂以齐白石名行世；并有齐大、木人、木居士、红豆生、星塘老屋后人、借山翁、借山吟馆主者、寄园、萍翁、寄萍堂主人、龙山社长、三百石印富翁、百树梨花主人等大量笔名与自号。

Qi Baishi (1864-1957), Xiangtan, the twentieth century master of Chinese painting art, the twentieth century top ten calligraphers, painters, one of the world's cultural celebrities.Clan assigned the name of pure Zhi, nicknamed Azhi, name Juan, the word weiqing, the number of lanting, endangered life, alias white stone mountain man, so the world with qi baishi name; and qi dai, wooden people, wood dweller, red bean student, the old house in xingtang descendants, borrowed from the mountain weng, borrowed from the mountain gin pavilion owner, send the garden, ping weng, send ping hall master, dragon mountain president, three hundred stone seal rich man, a hundred trees pear master, and so on a large number of pseudonym and self-title.

齐白石出身贫寒，作过农活，学过木匠，次年改学雕花木工，从民间画工入手，习古人真迹，曾习摹《芥子园画传》并据以作雕花新样。学诗文书法，游山川名胜，作幕僚寓客，终于成了诗、书、印、画全人神品的千古伟人。他将中国画的精神与时代精神统一得完美无瑕，使中国画得到国际的重视。他朴实谦虚、自信自强的精神，使他的作品刚柔兼济，工书俱佳，不愧为人民的艺术家。

Qi Baishi was born in poverty, worked as a farmer, studied carpentry, the next year to learn carving carpentry, starting from the folk painters, learning from the ancients, once copied the Mustard Seed Garden Painting Biography, and according to the carving of new samples.He studied poetry and calligraphy, traveled to mountains and rivers, made a staff of guests, and finally became a great man of poetry, calligraphy, printing and painting.He unified the spirit of Chinese painting with the spirit of the times in a flawless way, so that Chinese painting received international attention.His simplicity and modesty, self-confidence and self-improvement made his works both rigid and flexible, and his work was excellent, worthy of being a people's artist.

大凡花鸟虫鱼、山水、人物无一不精，无一不新，为现代中国绘画史创造了一个质朴清新的艺术世界，他成功的以经典的笔墨意趣传达了中国画的现代艺术精神，他深深得益于经典样式而又善于出新，故而他的画能够直接的感动人心，向天下众生传达生命的智慧和生活

All the flowers, birds, insects and fish, landscapes and figures are all fine and new, creating a simple and fresh art world for the history of modern Chinese painting. He succeeded in conveying the modern art spirit of Chinese painting with the classic ink and brushwork, and he deeply benefited from the classic style but was good at making new ones, so his paintings were able to directly move people's hearts, conveying the wisdom of life and the philosophy of life to all beings in the world.

他的山水画表达他对自己艺术创新的自信与深刻体悟，他的人物画长于传神达情，他的书法简约大方、雄健浑厚的笔意融入人物画中，完善了人物内在的神情的表达。齐白石家1888年起始学画，曾任龙山诗社社长。1890年二十六岁时转从萧芗陔、文少可学画像，二十七岁始从胡沁园、陈少蕃习诗文书画。三十七岁拜硕儒王闿运为师，并先后与王仲言、黎松庵、杨度等结为师友。他还推崇徐渭、朱耷、石涛、金农。尤工虾蟹、蝉、蝶、鱼、鸟、水墨淋漓，洋溢着自然界生气勃勃的气息。其任中国文学艺术界联合会主席团委员，美术家协会主席。1953年中央文化部授予“人民艺术家”称号。

His landscape paintings express his self-confidence and deep understanding of his own artistic innovation; his figure paintings are long in conveying the spirit and feelings; his calligraphy is simple and generous, and his robust and thick brushwork is integrated into his figure paintings, which perfects the expression of the inner feelings of the characters.Qi Baishi began to study painting in 1888, and was the president of the Longshan Poetry Society; in 1890, at the age of twenty-six, he switched to portrait painting from Xiao Xiangxin and Wen Shaoke, and at the age of twenty-seven, he began to study poetry, calligraphy and painting from Hu Qinyuan and Chen Shaofan.At the age of thirty-seven, he studied under the tutelage of the scholar Wang Loosen Yun, and successively became a teacher and friend of Wang Zhongyan, Lai Songan, Yang Du, and so on.He also admired Xu Wei, Zhu Da, Shi Tao and Jin Nong.He is especially good at painting shrimps and crabs, cicadas, butterflies, fish, birds, and ink, overflowing with the vibrant atmosphere of nature.He was a member of the Presidium of the China Federation of Literary and Art Circles and Chairman of the Artists' Association, and was awarded the title of "People's Artist" by the Central Ministry of Culture in 1953.

作品赏析：

Work Appreciation:

他经常注意花、鸟、虫、鱼的特点，揣摩它们的精神。他曾说：为万虫写照，为百鸟张神，要自己画出自己的面目。他的题句非常诙谐巧妙，他画的两只小鸡争夺一条小虫，题曰；“他日相呼”。

He often pays attention to the characteristics of flowers, birds, insects and fish, and tries to understand their spirit.He once said: "Write a picture for ten thousand insects, open a god for a hundred birds, and paint your own face.His inscription is very witty and clever, he painted two chicks fighting over a small worm, the inscription said; "other day call each other".

齐白石主张艺术“妙在似与不似之间”；衰年变法，绘画师法徐渭、朱耷、石涛、吴昌硕等，形成独特的大写意国画风格，开红花墨叶一派，尤以瓜果菜蔬、齐白石作品鸟虫鱼为工绝，兼及人物、山水，名重一时，与吴昌硕共享“南吴北齐”之誉；以其纯朴的民间艺术风格与传统的文人画风相融合，达到了中国现代花鸟画最高峰。篆刻初学丁敬、黄小松，后仿赵撝叔，并取法汉印；见《祀三公山碑》、《天发神谶碑》，篆法一变再变，印风雄奇恣肆，为近现代印风嬗变期代表人物。

Qi Baishi advocates art "between like and unlike"; in his declining years to change the law, painting master Xu Wei, Zhu Da, Shi Tao, Wu Changshuo, etc., to form a unique style of Chinese painting in large capitals, the opening of the school of safflower and ink leaves, especially fruits and vegetables, Qi Baishi's works of birds, insects and fish for the work of the best, as well as characters, landscapes, famous for a while, Wu Changshuo share the reputation of "South Wu and North Qi"; with its pure and simple folk art style and traditional literati painting style fusion reached the highest peak of modern Chinese flower and bird paintings.He was famous for a while and shared the reputation of "Wu Changshuo in the south and Qi in the north"; with his pure and simple folk art style blended with the traditional literati style, he reached the highest peak of modern Chinese flower and bird painting.Seal carving was initially modeled on Ding Jing and Huang Xiaosong, then on Hugh Changshu, and then on Han seals; see Sacrifice to the Three Dukes of the Mountain Stele and Tianfa Divine Prophecy Stele, where his seal script changed again and again, and his style of sealing was majestic and unbridled, making him a representative of the period of transition in the style of sealing in the modern era.